Untitled (North Carolina) by Rosalie Gwathmey

Untitled (North Carolina) 1948

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photography, gelatin-silver-print

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portrait

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social-realism

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photography

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historical photography

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group-portraits

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black and white

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gelatin-silver-print

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monochrome photography

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history-painting

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realism

Dimensions: image: 24.13 x 18.42 cm (9 1/2 x 7 1/4 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Rosalie Gwathmey’s “Untitled (North Carolina),” a gelatin silver print from 1948, offers a striking glimpse into a specific time and place. Editor: It leaps right off the wall with youthful energy, doesn't it? There’s a sense of vibrant life caught in monochrome. The uplifted hands are reaching for something... Hope, maybe? Curator: Gwathmey was deeply involved in social realism, documenting the lives of marginalized communities. This image encapsulates that commitment; consider the historical context of racial segregation in North Carolina at that time. Editor: The composition’s interesting – so many hands and faces clustered together, creating a unified, almost choral effect. It feels like a spontaneous moment, yet you sense a deeper story beneath the surface. A hidden harmony in a world of sharp divides. Curator: Exactly. The "spontaneity" hints at an informal learning environment, perhaps a church gathering or community meeting. Gwathmey often photographed such everyday scenes to highlight the resilience and strength within these communities. She used her photography as a voice. Editor: Look at the girl in the foreground, she seems almost caught mid-sentence! Her gesture feels like a proclamation. Are we hearing her hopes, perhaps a longing for a brighter future? Or is that simply wishful seeing, an artistic projection, you might say? Curator: Well, Gwathmey gave limited commentary, inviting diverse interpretations. We can also see it through the politics of imagery at the time, where black subjects are often framed. Editor: Perhaps both. Art does its finest work in those interstitial spaces. It whispers rather than shouts. It plants a seed. Curator: Ultimately, it’s the image's power to evoke empathy that endures. It challenges us to reflect on both the past and present. Editor: Absolutely. The way Gwathmey turned a fleeting moment into an echo of our shared humanity is stunning! And as someone in love with black and white photography, this is a timeless slice of visual poetry!

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