photography, gelatin-silver-print
pale palette
pastel soft colours
muted colour palette
pale colours
pictorialism
landscape
white palette
photography
muted colour contrast
gelatin-silver-print
muted colour
pastel tone
tonal art
soft colour palette
Dimensions height 168 mm, width 220 mm, height 346 mm, width 456 mm
Curator: There's a stillness in this photograph that immediately draws me in. A kind of quietude that seems both comforting and a little melancholic. Editor: That feeling definitely resonates. What we’re looking at is a gelatin-silver print entitled “Gezicht op de Raftsundet bij de Lofoten,” or “View of the Raftsundet at Lofoten,” captured sometime between 1883 and 1900 by Axel Lindahl. It’s a landscape photograph. Curator: I’m struck by how much it resembles a painting. The tonal qualities, the muted palette… it almost anticipates Pictorialism. The light feels soft, diffused. I am especially drawn to how those sharp dark peaks contrast with those pale, milky surfaces of snow and mist. What does the area depicted evoke for you? Editor: Mountains hold deep symbolic weight, especially when they meet the sea. For centuries, mountains represented permanence, endurance, spirituality – a place to connect with the divine, to find isolation. Here they dominate the scene. These jagged, almost aggressive forms feel particularly Scandinavian. But juxtaposed against water...water almost always carries the symbolic potential for renewal and change. Curator: That contrast feels particularly poignant in light of late 19th-century landscape photography. Think about the rise of tourism, the colonial gaze. Landscapes were often exoticized, commodified. The quiet tone here feels less like documentation and more like a kind of communion. Editor: True, that tonal quality creates distance from a scientific approach, offering intimacy instead. Perhaps that focus explains the almost archetypal forms of mountains and fjords represented. Nature almost transcends itself. I am thinking of the romantic symbolism of a sublime. Curator: I agree. This photo almost acts as a vessel, allowing for our own projections, our own yearnings for something timeless and undisturbed. This really resonates for our own anxious present moment! Editor: A space, indeed, for contemplating our shifting relationship with landscape and how art continues to negotiate and recast that bond through symbolic form. Curator: Absolutely. Thank you for that exploration. It deepens my understanding so much!
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.