Actor Matsumoto Kōshirō IV as Gorōbei, the Fishmonger from San'ya from the Play "Katakiuchi Noriai-Banashi" (Kiri-za) Possibly 1794 - 1795

Editor: Here we have Tōshūsai Sharaku's "Actor Matsumoto Kōshirō IV as Gorōbei, the Fishmonger from San'ya" from the play "Katakiuchi Noriai-Banashi." It's a woodblock print with a striking, almost confrontational, presence. What stands out to you? Curator: Consider the means of production. Woodblock printing allowed for mass dissemination, creating accessibility for a wider audience. How does this impact our understanding of art consumption and class? Editor: That's interesting. So, you're suggesting that the medium itself democratizes art? Curator: Precisely. The materials, the labor involved, the intended audience - all inform the social context and challenge traditional hierarchies. What do you think? Editor: I never thought about it that way. Now I see a connection between the craft, the subject, and the society it reflects. Curator: Yes, and thinking about these works materially can change how we appreciate their artistic and social impact.