Portrait of architect A. J. Beloborodov 1925

Curator: This is Zinaida Serebriakova's "Portrait of Architect A. J. Beloborodov", created in 1925, rendered primarily in pastel. What impressions does it evoke for you? Editor: Oh, immediately I feel a sense of quiet intensity, you know? The soft focus clashes intriguingly with his rather steely gaze, a bit of an enigma wrapped in gentle color. He looks a bit like a silent film star. Curator: It's interesting you say that, as the portrait exists during the early days of cinema. The cigarette becomes symbolic—a cultural icon associated with intellect and world-weariness, hinting at the social milieu of artists and intellectuals in that era. Editor: Yes! The cigarette. It’s practically another character here, a small exclamation point on his composure. Almost defiant, amidst those serious eyes. He knows something, doesn’t he? Or at least, wants us to think he does. And the books! Curator: The books in the background do anchor him firmly to intellect, but notice how vaguely they're rendered. I read the lack of detailed spines as a statement of how the identity goes far beyond traditional signs of being an educated, well read person. He's architect, but so much more, isn't he? The architecture books aren't enough for him. Editor: That’s so interesting! I saw them more as establishing a specific sense of place. But I like your read much better, of this almost deliberately blurred backdrop to emphasize the power of the individual, his gaze, in this case, which seems the very firm centre. I would not have seen it! Curator: The softness you mentioned also alludes to Serebriakova’s unique rendering. Using pastel allowed her a softer, yet intimate portrayal—quite different from the severe portraits often commissioned by or for male subjects at the time. Editor: The composition feels very intimate, you're right. It is so much softer than what I'd expect of this time! I initially missed how carefully the informality seems stage managed - this "off-the-cuff" portrayal has taken a lot of effort to create this "moment" that seems to occur. He is making sure he gets his best angle! Curator: A vital perspective that blends social semiotics with art! I find that revealing. Editor: And now I see a bit of wry humour peeking through. What a fascinating, layered portrait!