Rialto Bridge (also known as The Rialto Bridge, Venice) 1912

Maurice Prendergast rendered this watercolour, Rialto Bridge, sometime in his career. The composition strikes a balance between the solid architectural forms and the fluid reflections on the canal. Notice how Prendergast uses dabs of watercolour to build up both the structure of the bridge and the textures of the crowd. Prendergast's approach here echoes the Post-Impressionist interest in optical mixing, where colours are placed side by side and visually blend in the eye of the viewer. This method creates a vibrant surface that captures the energetic atmosphere of Venice. There’s also a suggestion of the modern alienation explored by Baudelaire's flâneur, who wanders and observes but remains detached from the urban spectacle. The sketch-like quality of the painting suggests an interest in process over product, aligning with modernist values that privilege originality and direct expression. This is not a straightforward depiction of Venice but an interpretation filtered through the artist's unique vision. Ultimately, the fragmented, mosaic-like construction invites viewers to engage actively in piecing together their understanding of the scene.