drawing, print, textile
drawing
medieval
narrative-art
textile
history-painting
academic-art
miniature
historical font
calligraphy
Dimensions height 547 mm, width 370 mm
This page of the Cronica Cronicarum, made by an anonymous artist, presents a visual and textual genealogy, a family tree of sorts, linking biblical figures to historical ones. Made sometime in the late-fifteenth century, possibly in Germany, its elaborate design reflects the period’s fascination with lineage and divine order. The image blends religious and secular history, weaving them together through this family tree structure. Visual codes such as the royal portraits and cityscapes alongside biblical scenes, create meaning by establishing connections between different historical eras and geographical locations. This wasn't just a neutral recording of history; it was an attempt to legitimize power through constructing a narrative that linked rulers to biblical figures. Understanding this artwork requires delving into the social conditions of late medieval Europe, including the influence of the Church and the rise of powerful noble families. By researching the historical figures included, we can uncover the political and social agendas at play. This approach highlights how art serves not just as a reflection of its time, but as an active participant in shaping cultural and institutional narratives.
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