Portret van Johann Christoph Pfaff 1687 - 1743

Curator: So here we have a baroque engraving by Johann Georg Mentzel; it is called "Portret van Johann Christoph Pfaff" and said to be from sometime between 1687 and 1743. It portrays, naturally, Johann Christoph Pfaff, likely around the time he was a professor of theology. Editor: My first thought? Wow, those curls. The engraving makes them look almost edible, like spun sugar. And that stern face perched atop all that frilly detail. Curator: Exactly! Notice how Mentzel used line variation to give a sense of volume to Pfaff's robe and wig. The density of the lines really emphasizes the texture of those fabrics and that hair, which are just beautiful. Editor: It's incredible, the way the formal, almost architectural backdrop kind of sets off the curve of his face. I find the inscription underneath slightly humorous. Is it a serious epitaph, or is it cheeky? It definitely affects the mood, which feels slightly detached and intellectual. Curator: I see it too! Engravings like this were often commissioned as a formal sort of intellectual card, passed between learned scholars of the day. The Latin inscription, which talks about Pfaff’s diligence and spirit, would likely underscore his importance among the intellectuals of the era. Editor: So, less personal, more...statement piece? I feel a touch less drawn to the fellow knowing that. It still manages to be evocative. The contrast is still quite appealing, that interplay between lightness and a dark sort of stoicism. Curator: Ultimately, for me it comes down to appreciating the craft itself. Engraving, like other printmaking practices, gives such incredible access. Editor: True! A delicious contradiction to something that’s both precious, and plentiful. Thanks for shedding some light on this professor's serious stare!