Bianco 1966

"Bianco" (1966) by Agostino Bonalumi is a prime example of the Italian artist's exploration of the interplay between light and shadow, form and space. This minimalist relief sculpture, characterized by its monochromatic white palette, features a subtle, semi-circular depression in the canvas. The surface is punctuated by four circular protrusions, creating a captivating play of light and depth. Bonalumi's "Bianco" exemplifies his interest in exploring the perception of three-dimensionality within a two-dimensional plane, inviting viewers to consider the boundaries of their own visual experience.