The Annunciation 1808 - 1862

Wilhelm Schadow rendered this drawing, "The Annunciation," sometime in the 19th century. At its heart, we witness the pivotal moment when the angel Gabriel informs Mary that she will conceive and bear the son of God. Consider the lilies Gabriel offers, symbols of purity and innocence, often associated with the Virgin Mary. These floral emblems are not static; they have roots stretching back to ancient Roman festivals, where flowers were offered to deities as symbols of hope and renewal. The gesture itself of offering something with the right hand, a sign of trust and benevolence, is a motif that transcends cultures. Yet, it is the psychological depth of Mary’s downcast eyes and clasped hands that resonates most profoundly. It speaks to a universal human experience: the moment of quiet introspection before a life-altering revelation. This is not merely a religious scene, but a mirror reflecting our own moments of profound change. The image is a powerful force, engaging viewers on a deep, subconscious level. Thus, the symbol resurfaces, evolves, and takes on new meanings in different historical contexts.