Pitcher c. 1936

Frank Fumagalli made this ‘Pitcher’ using graphite and watercolor. You know, sometimes the most interesting thing about a drawing is the process, how the artist built it up, bit by bit. Look at the surface, it’s alive with subtle variations. The graphite gives it a kind of rough texture, almost like you could feel the grit of the pottery. And then, those watercolor washes – so delicate, layering greys and blues to create a sense of depth. There’s a little splash of blue, right there on the side of the pitcher; it’s like a tiny accident, but it brings the whole thing to life, gives it a sense of spontaneity. You can almost feel Fumagalli experimenting, letting the materials do their thing. I’m reminded of Giorgio Morandi, with his quiet, contemplative still lifes. Both artists share this focus on simple, everyday objects, transforming them into something profound through the act of looking and drawing. For me, art is about that kind of slow, careful attention, embracing the beauty of imperfection.