One of 28 slides of prints c. 20th century

Curator: Here we have one of 28 slides of prints by Josef Albers, currently residing at the Harvard Art Museums. There's no date listed. Editor: It's striking how the geometric abstraction evokes a sense of dynamic instability. The interplay between the black and white creates a vibration. Curator: Absolutely, Albers's background at the Bauhaus deeply informed his exploration of form and perception, which is evident here. These prints underscore the Bauhaus ethos of merging art with industrial production. Editor: The texture suggests a tactile process, like linocut. The slight imperfections humanize the rigid geometry, reminding us of the artist's hand. Curator: Albers's interest in reproducible media also points to a desire to democratize art, making it accessible beyond the elite circles. Editor: Looking at the material, it makes you think of how this piece breaks down the distinction between art and craft. Curator: Indeed, it prompts us to reconsider the social function of art. Editor: It certainly does. Curator: A fitting end to our viewing.