drawing, print, paper, engraving
portrait
drawing
allegory
baroque
paper
form
line
history-painting
engraving
Dimensions: 193 × 133 mm (image/sheet, trimmed within platemark); 197 × 137 mm (mount)
Copyright: Public Domain
Cornelis Galle I created this title page from Silvae Urbanianae in 1637. Dominating the composition is the papal coat of arms, prominently displaying the keys of Saint Peter, symbols of papal authority, and bees, emblems of the Barberini family. We see similar totemic animals across time, such as the lion gates of Mycenae in ancient Greece, signifying power and protection. The bees, like the lions, are charged with cultural meaning, evoking diligence and community. This symbol is not static, for in modern times, we find the bee appropriated by different groups and subcultures. Consider how collective memory infuses these symbols with meaning. The bee, subconsciously tied to notions of industry and social order, becomes a powerful vehicle for projecting emotional and psychological associations onto the viewer. The symbolism in the image speaks to a deep-seated human desire for order and prosperity, and the cyclical recurrence of certain images reveals the continuity of human concerns across the ages.
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