The lighthouse at Alexandria by Philips Galle

The lighthouse at Alexandria 1572

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print, engraving

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print

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landscape

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11_renaissance

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ancient-mediterranean

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cityscape

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history-painting

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engraving

Dimensions 211 mm (height) x 268 mm (width) (plademaal)

Curator: Philips Galle’s 1572 engraving, "The Lighthouse at Alexandria," is quite striking; a cityscape framed by the immense legendary lighthouse, the harbor bustling with ships, and figures in the foreground who are presumably royal advisors and tradesmen! Editor: Oh, wow, it's like a historical photograph! There’s such intricate detail crammed into this small picture. And yet, it's all swirling and fantastical too, don’t you think? The sea's energy kind of sucks you right in. Curator: Galle was a master engraver. Notice how he uses linear perspective to create depth, and how the intricate lines give volume to the buildings and suggest movement of the waves! It’s a bit of an odd composition actually, but highly structured nonetheless. Editor: Structured, yes, but there's a sort of chaotic beauty. That light source behind the lighthouse looks like both sunset and moonrise all at once – magical, really, not strictly realistic but so evocative. Curator: You have a point there. Galle wasn't striving for accurate depiction, more like capturing an essence of what a thriving antique port might embody; this blend of architectural grandeur and busy commercial exchange, where light plays on every surface. The lighthouse itself dominates. Notice how its cylindrical tiers stack upward, the texture giving the building a tangible feeling of height. Editor: That towering structure speaks to ambition. I imagine the lighthouse beacon would signal to boats near and far! This little world of activity on the water looks incredibly alive to me. I can hear them negotiating deals. But the figures in the lower corner-- they seem to be charting a new voyage and looking out for possibilities, too! Curator: An insightful interpretation. Galle masterfully blended precision with artistry. Editor: I feel as though this piece captures a moment of both observation and projection; it makes me think how much we depend on light, physical and metaphorical, to guide us. Curator: Beautifully put. It invites us to imagine both how such grand structures functioned and the imaginative lives that blossomed around it.

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