Conceptbrief aan anoniem, conceptbrief aan Henri Goovaerts en conceptbrief aan onbekend by August Allebé

Conceptbrief aan anoniem, conceptbrief aan Henri Goovaerts en conceptbrief aan onbekend 1893

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drawing, textile, paper, ink, pen

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pen and ink

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drawing

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pen drawing

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ink paper printed

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textile

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paper

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ink

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pen

Editor: So, here we have August Allebé’s "Conceptbrief aan anoniem, conceptbrief aan Henri Goovaerts en conceptbrief aan onbekend" from 1893. It’s rendered in pen and ink on paper. The delicate script gives it an intimate feel, but I'm curious about the story behind these drafts. What captures your attention when you look at this? Curator: What intrigues me most is the labor and process embedded within these drafts. Consider the materiality – the ink, the paper, the pen. Each element represents a choice, a resource acquired and manipulated. These letters, even as drafts, signify a specific social context; someone dedicating time, and using precious materials in 1893 to communicate something important. What was the role of written communication at this time, how widespread was it? Editor: That’s a great point, how the physical act of writing held significance then. Curator: Exactly! Notice, too, how Allebé seems to be experimenting, re-writing, crossing out… it gives us insight into the very mechanics of his thought process. We’re looking at the *making* of a message. The 'pen and ink' technique also emphasizes accessibility, everydayness: not traditionally considered 'high' art forms. Editor: It challenges the traditional art boundaries by valuing the craft of communication itself. But what about the content? Curator: I would say the *content* itself becomes secondary to the labor of communication; each strike through suggests revision and consideration of word choices to express more precisely or possibly to convey a certain social position. It encourages us to think about what someone might need to change or to be careful when corresponding. This would only become even more complicated when the receiver would read this message and their interpretations may vary too. Editor: I see what you mean. It's not just about *what* he's saying, but the effort and the social dynamics embedded in *how* he's saying it. That provides more questions that needs to be analyzed. Curator: Precisely. It highlights the everyday human processes inherent to creating, and even just communicating. I am grateful for gaining an even deeper understanding.

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