Paula and Daughter, Lisa Possibly 1980 - 1989

Editor: Here we have Mariette Pathy Allen's photograph "Paula and Daughter, Lisa," probably from the 1980s. I’m struck by the intimacy and directness of their gazes, yet I sense an underlying tension. How do you interpret this work? Curator: Allen's photography is a powerful act of visibility, placing transgender individuals and their relationships squarely within the public eye. Consider the historical context: in the 80s, trans representation was limited and often negative. This image disrupts the cis-normative narrative by presenting a trans woman, Paula, as a mother, a figure of care and love. How does knowing this shift your initial perception of “tension?" Editor: It reframes it. The tension isn’t necessarily negative; it could reflect the challenges and complexities of existing as a trans family in a society that often marginalizes them. What does the composition suggest to you? Curator: The close embrace speaks to solidarity and protection. Lisa's relaxed posture suggests a deep trust and connection with Paula. This challenges societal notions of gender and family, suggesting that love and care are not defined by traditional roles or expectations. What I find fascinating is how Allen's work invites us to confront our own biases and preconceived notions about gender, family, and identity. Do you agree? Editor: Absolutely. Seeing it as a form of activism, documenting a lived reality and pushing for greater acceptance, makes a big difference. Thanks! Curator: It's a photograph that really opens up questions about what constitutes family, and about the political act of simply existing authentically. Thank you for sharing your reflections.