Untitled 

Curator: Let's discuss this Untitled piece, by Olga Albizu. There is not any specific information around when the work was created but it has elements and has been categorised as abstract expressionism, it appears to be done in oil paint, in a gestural painting style. Editor: It’s sort of wonderfully jarring, isn't it? Like a garden after an explosion of colour and form. There’s this tension, these almost violent juxtapositions of textures and hues, which feel strangely harmonious all the same. Curator: I think you have made an interesting comparison, when viewed through a historical lens we can see a direct correlation between post war Puerto Rico. Albizu and the rise of Abstract Expressionism as an emancipatory gesture to political events of the era. It is an exploration of cultural identity. Editor: Absolutely, and there’s this raw emotion embedded in the layers. I wonder if it reflects Albizu’s own struggle for self expression, battling against cultural barriers and gender expectations? What do you see, perhaps, in the interplay of light and shadow here? Curator: The way the artist balances shadow is remarkable, casting dark areas within a frame of vivacious hues. This dance captures the inherent duelling complexities in culture, community, identity, particularly the socio political constraints imposed upon women and minorities throughout history. Albizu paints protest and self actualization. Editor: Beautifully put. It’s more than just colours slapped onto a canvas, isn’t it? Curator: Indeed. It invites us to delve into our own lived experience in the current culture wars, reflecting our struggles and offering moments of reflection through the power of creative expression. It's really stunning. Editor: Definitely. This piece has inspired me to reclaim those muted colours in my emotional palette. To transform turmoil into an expressive triumph!