Gevecht tussen Cupido en een putto by Anton van der Borcht

Gevecht tussen Cupido en een putto 1648 - 1663

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engraving

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quirky sketch

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baroque

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pen sketch

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pencil sketch

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fantasy-art

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figuration

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personal sketchbook

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sketchwork

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ink drawing experimentation

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pen-ink sketch

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sketchbook drawing

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genre-painting

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engraving

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pencil art

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fantasy sketch

Dimensions: height 148 mm, width 126 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Fight Between Cupid and a Putto," an engraving made between 1648 and 1663 by Anton van der Borcht. The scene looks a bit chaotic. What symbolic layers might we be missing? Curator: Notice how Cupid, typically associated with love and harmony, is engaged in a rather violent altercation. Doesn't this clash of expectation against reality immediately strike you? What emotions do you perceive radiating from this symbolic representation? Editor: It makes me think about the darker side of love, perhaps jealousy or conflict within relationships. Is that what the artist intended? Curator: It’s tempting to interpret the putto as a symbol of innocent, perhaps immature, love challenged by Cupid's more experienced, potent form. Look closely—doesn't their struggle remind you of humanity’s unending grappling with affection and desire? Could it reflect the internal battle between idealized and actual love? Editor: So, it’s less a literal fight and more a representation of conflicting desires within us? Curator: Perhaps! Van der Borcht offers us no easy answers. This ambiguity itself becomes a statement about the complex emotional narratives within us, coded in myth and represented as childish squabbles. This makes us question the cultural narratives around the subject. Editor: I hadn’t considered how the image questions our preconceived notions about love through recognizable symbols. Curator: Precisely. The deliberate tension, between visual simplicity and symbolic complexity, stimulates us to think about how love really looks and feels like, stripped of cultural idealizations. Editor: This has opened up new dimensions for understanding seemingly simple mythological scenes. I see now there is depth beneath its face value. Curator: I agree that the dialogue of the personal vs. societal constructs can open up how we interpret these images in new ways.

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