Untitled by Jannis Kounellis

Untitled 1969

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Copyright: © Jannis Kounellis | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Here we have an Untitled piece by Jannis Kounellis currently residing in the Tate Collections. Editor: My first thought? It's like finding a little piece of ancient history smack-dab in the middle of a super sterile, modern room. Curator: Kounellis, a key figure in the Arte Povera movement, often used humble materials to challenge the commodification of art. This wall of stone becomes a powerful statement within the gallery context. Editor: Exactly! It makes you think about where things come from, the labour involved. It's like a portal to another time. And the contrast between the rough stones and the smooth white wall is just perfect. Curator: The juxtaposition highlights the tension between nature and culture, past and present. It asks us to consider the value we place on different forms of expression and labor. Editor: So, it’s not just a wall, it’s a conversation starter about what we value. Pretty neat, isn't it? Curator: Indeed, and a reminder that art can emerge from the most unexpected places, provoking important dialogues about our world. Editor: It’s like a meditation on simplicity and complexity, all rolled into one sturdy, beautiful wall. I could stare at this all day!

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tate 8 days ago

http://www.tate.org.uk/art/artworks/kounellis-untitled-ar01136

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tate 8 days ago

In one of his most physically powerful works, Kounellis blocks a doorway in the exhibition space, thereby restricting the possible access and exit points from the gallery. Like many of his contemporaries, Kounellis turned to an ancient technique in order to address current concerns. Here the traditional method is dry stone building, used most commonly to divide farmland, but also alluding to the blocked doorways of abandoned houses in the artist’s native Greece. The work draws attention to the architecture of the museum and creates a somewhat threatening environment for the spectator. Gallery label, April 2009