Dimensions: support: 160 x 212 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Thomas Rowlandson's "Sir Joseph Banks about to Eat an Alligator," shows a chaotic dinner scene in ink. It’s so bizarre! What resonates most is the visual gag of the alligator itself. How would you interpret the choice of such an unusual main course? Curator: The alligator serves as a potent symbol. Rowlandson was known for satire. What does serving Banks an alligator, a creature exotic and dangerous, say about perceptions of exploration and consumption during the era? It's a comment on colonial appetites, isn’t it? Editor: That makes sense. I hadn’t considered the colonial aspect of serving something so... out there. Curator: Indeed. The image becomes a cultural mirror. It reflects not just a meal, but a complex relationship between England and the wider world, preserved in caricature. Editor: I'll never look at an alligator the same way again!
http://www.tate.org.uk/art/artworks/rowlandson-sir-joseph-banks-about-to-eat-an-alligator-the-fish-supper-t08469
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This is Rowlandson's sketch for an etching, to accompany a poem attacking the President of the Royal Society, Sir Joseph Banks. Banks is shown on the right, gnawing on a serpent. He owned a large collection of natural specimens, such as birds and snakes, which he displayed at his London home. However, his critics felt his obsession with natural history prevented him from dealing with more important philosophical issues. Here Banks feasts on his various specimens, while denouncing those who question his interests and his Presidency: 'Tell, then, each pretty President creator/ Confound him - that I'll eat an alligator'. Gallery label, August 2004