Untitled [plate XVII] 1958

This is a print by Joan Miró, an untitled plate where it's hard to pin down exactly when he made it. I love how Miró lets the medium speak. Here, the stark contrast between black and white isn't just a visual choice; it’s the very essence of printmaking. The texture, the little imperfections, all feel so intentional. Look at the lower part of the form and the way the scratches and scribbles create a sense of depth and movement. Then there’s that white shape in the middle – is it a figure? A vessel? Something else entirely? For me, it's the heart of the piece. A void full of potential. Miró reminds us that art doesn’t always need to be serious. Like his contemporary, Paul Klee, he creates a playful and whimsical world. Both artists invite us to embrace ambiguity and find joy in the act of seeing.