Copy after the Figurine c. 17th century

Editor: This is "Copy after the Figurine" by Salvator Rosa. The figures seem to be resting, maybe plotting something? What captures your attention in this piece? Curator: Well, it's the raw energy of the etching, isn't it? Rosa really digs into the plate, creating this dramatic contrast. It feels almost like a stage play, wouldn't you say? All that implied narrative. Editor: That's a great point. I see that theatrical feel now. What do you think about the cross-hatching and shading? Curator: For me, it’s like glimpsing into Rosa's mind, his frustrations, his passions. The etching feels almost defiant! We are left to wonder what drama will unfold, what troubles they will face. Editor: It definitely leaves a lasting impression. Curator: Absolutely. It's a little window into a grand, imagined world.