Dimensions: support: 650 x 458 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have Paul Klee's "Burdened Children," currently residing at the Tate. It’s a striking example of his later, more simplified style. Editor: It hits me like a half-remembered dream, all stark lines and ghostly figures. Do you get a sense of unease from the composition? Curator: The somberness stems perhaps from the reduction to elemental forms; notice the geometrical figures, each contained yet interconnected. Editor: Almost as if they're trapped in their own minds, but tethered together. The stark black lines seem to carve them out of the paper itself. Curator: Precisely. The monochromatic palette reinforces the gravity, stripping away any playful distraction. It highlights the structural underpinnings. Editor: There's a vulnerability in their simplicity, like raw emotion laid bare. It makes you wonder about the burdens we unknowingly place on children. Curator: A poignant interpretation. It's a work that invites introspection, even demands it. Editor: Absolutely. It's a reminder that even in the simplest forms, complex truths can reside.
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These two works show Klee’s great imaginative and technical versatility. In The Castle of Mountain S, the mysterious castle seems to have emerged from the artist’s process of heavily working the paint. The freer process of ‘taking a line for a walk’ animates Burdened Children showing the spontaneity that Klee associated with childhood. Gallery label, April 2008