Temperance (Die Mesikait), from "The Seven Virtues" 1498 - 1531

Editor: Here we have Hans Burgkmair’s "Temperance (Die Mesikait), from "The Seven Virtues"", created between 1498 and 1531. It's a print, an engraving to be precise. It feels so formal, like a carefully staged tableau. What historical narratives do you see embedded in this work? Curator: I see a fascinating interplay between classical ideals and the socio-political realities of the Renaissance. The figure of Temperance, framed within this elaborate architectural structure, references a renewed interest in classical virtue. However, it’s crucial to remember that these virtues were often instrumentalized to justify social hierarchies. Notice how "Temperance", or "self-control," was primarily imposed upon women and the lower classes? How does this imagery of controlled behavior relate to the broader context of early modern Europe? Editor: That's interesting! I hadn’t considered the power dynamics at play. So, it’s not just about a general virtue, but who gets to embody it, and for what purpose. Is the surrounding ornamentation just decorative? Curator: Not at all. Look at the architectural elements and decorative motifs, which create a sort of visual language. The image evokes Roman imperial power alongside emerging print culture that facilitated broader dissemination of this ideology. Does the medium influence your understanding? Editor: I see your point. Printmaking made this virtue more accessible, yet its interpretation could be skewed to promote specific agendas, like keeping women "in their place". Thanks. I never would have looked that deep into it without your insight! Curator: Precisely. By critically examining visual and social contexts, we can unravel complex layers of meaning embedded within even seemingly straightforward allegories. And thinking about its relevance today – what does Temperance look like in our current social and political climate? Editor: A lot to consider! I'll never look at a "virtue" the same way again.