Vrouwenportret met een muts met strikken by Pieter Gerardus van Os

Vrouwenportret met een muts met strikken 1786 - 1839

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watercolor

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portrait

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oil painting

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watercolor

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intimism

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romanticism

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portrait drawing

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watercolour illustration

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watercolor

Dimensions height 54 mm, width 53 mm

Curator: Before us is "Vrouwenportret met een muts met strikken," or "Portrait of a Woman with a Bonnet with Ribbons," a watercolor attributed to Pieter Gerardus van Os, created sometime between 1786 and 1839. It’s part of the Rijksmuseum’s collection. Editor: Well, she looks…contained. There's something delicate and yet incredibly formal about her. The way the soft watercolor almost fights against the severe shape of that bonnet. Like a rebellion brewing quietly beneath layers of ribbon. Curator: Indeed. Watercolors became increasingly popular for portrait miniatures at this time. They allowed for delicate details but also offered a more affordable alternative to oil paintings for the rising middle class. This particular piece reflects an interesting tension between Romanticism and a lingering Neoclassical sensibility. Editor: You can really see it in those flushed cheeks and the very proper neck scarf! She's pretty in that constrained way you see sometimes – a bit sad, a bit romantic, but very much held back by…well, bonnets and social expectations, probably. Curator: Precisely. This image tells us about the societal pressures on women, fashion's constraints, and the aspirations of a class seeking its place in society. Her bonnet, for example, isn’t merely a piece of adornment. It signifies status, adherence to trends, and a visual representation of societal boundaries. Editor: So, she’s a symbol, a stand-in for so much more than just one lady with rosy cheeks? It’s odd how these portraits can seem so personal and detached at the same time. Like a staged intimacy for public consumption. Is it weird that I kind of feel bad for her, even after all this time? Curator: Not at all. That empathy connects you to the artwork, to a woman in a bonnet from centuries past. And art at its best can transcend historical analysis and bring us face to face with universal experiences. Editor: So it seems. Thanks, as always, for shining a new light on something old. I'll never look at a frilly bonnet the same way again!

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