Martyrdom of Saint Cecilia c. 18th century

Historian: This is Jean-Baptiste de Poilly's "Martyrdom of Saint Cecilia," a print held at the Harvard Art Museums, created sometime between 1669 and 1728. The scene is so dramatic. Artist: It has a certain stillness, doesn’t it? Cecilia lies there, and that angel…so graceful, almost floating as it descends to offer her a crown. Historian: It’s a powerful depiction of martyrdom, crafted during a period when the Church was reasserting its authority through imagery. Saint Cecilia's story was ripe for artistic representation, given her patronage of music and her unwavering faith. Artist: It’s as if the artist is inviting us to witness a moment of transition, a passage between earthly suffering and divine reward, although the violence feels very subdued. What do you think about the setting? Historian: The classical architecture elevates the scene, situating it within a context of enduring power and tradition. The placement of classical statues in the background further reinforces that connection. Artist: For me, the light feels like it’s coming from everywhere and nowhere, bathing the scene in a kind of ethereal glow. This piece really invites you to contemplate faith, doesn't it? Historian: Absolutely, and to think about how institutions have historically used images like this to shape belief and reinforce cultural norms. Artist: I think I’ll carry that image of the floating angel with me today.