Omlijsting met blad- en schelpvormige motieven 1897 - 1899

Theodore Roussel created this print, Omlijsting met blad- en schelpvormige motieven, using etching, drypoint and aquatint. Roussel, a French artist working in London, was deeply engaged with debates about the role of art institutions. He was committed to the idea of art as a form of personal expression, as distinct from academic art. This print displays Roussel's interest in Japonisme, seen in the flat decorative patterns and stylised natural forms. It also reflects his belief in the importance of craftsmanship and the artist's individual touch, values promoted by the Arts and Crafts movement. Roussel exhibited with groups like the New English Art Club and the International Society of Sculptors, Painters and Gravers, spaces where artists could show work outside the established Royal Academy. The print could be further understood through analysis of his engagement with various artistic and cultural movements, such as Aestheticism. By considering these different contexts, we can gain a richer appreciation of its meaning.