11. Settling the Catalogue by George Dance

11. Settling the Catalogue 1795

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Dimensions: support: 209 x 203 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is George Dance's sketch, "Settling the Catalogue." The composition seems very focused on line and form, creating a sense of quiet intensity. What do you see in the relationship between the figures’ placement and the overall structure of the piece? Curator: Notice how Dance uses hatching and cross-hatching to model form and create tonal variations. The limited palette further emphasizes the linear quality, directing our attention to the geometric arrangement of the figures. Consider how this restraint in color and detail might reflect the Neoclassical sensibilities of the era. Editor: That's insightful; the starkness definitely draws attention to the underlying structure. Thanks for pointing that out. Curator: Indeed. The artist's technique skillfully directs our interpretation.

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tate about 19 hours ago

http://www.tate.org.uk/art/artworks/dance-11-settling-the-catalogue-t08159

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tate's Profile Picture
tate about 19 hours ago

The most complex task undertaken by Royal Academicians was arranging the works of art which were submitted for the annual exhibition at Somerset House. A hanging committee of three Academicians would oversee the arrangement of the display. In 1795 George Dance was a member of this committee. In this sketch, Dance shows the moment when all the pictures had been hung. The Secretary to the Academy, John Inigo Richards, is checking the final details of the catalogue with its printer Joseph Cooper. George Dance was an architect, but like his brother Nathaniel (see nos 31a,b), he was an accomplished portraitist and witty caricaturist. Gallery label, August 2004