Plate 10: equestrian statue of Vespasian, seen from behind, three birds at upper right with one attacking another, from 'Roman Emperors on Horseback' 1582 - 1594

Curator: Adriaen Collaert produced this engraving, "Plate 10: equestrian statue of Vespasian, seen from behind, three birds at upper right with one attacking another, from 'Roman Emperors on Horseback'," sometime between 1582 and 1594. It’s currently housed at the Metropolitan Museum of Art. Editor: It feels almost photographic in its detail, like a snapshot of Roman power filtered through a Northern European lens. The rendering is striking. Curator: Collaert's technique is remarkable. Notice the varied line weights in the engraving, building up volume and texture. Think about the labour involved; each line etched carefully into the metal. We see not just Vespasian, but also a depiction of a sculpture— layers of representation speaking to imperial ambition and artistry. Editor: The plate feels very much part of the Baroque aesthetic; the active composition and dynamic arrangement of shapes and forms would serve well to further any sociopolitical narrative during that period. Did such imagery serve to legitimize power through manufactured historical associations? Curator: Absolutely. Prints like these circulated widely. The image of Vespasian, himself part of the Flavian dynasty, projects an ideal ruler. Collaert draws on visual traditions associating the Roman Emperor to military prowess, and order which are tools to cultivate specific cultural memories. Consider the intended audience; likely wealthy collectors. This artwork's consumption is tied to status, knowledge, and taste. Editor: And what about those birds, engaging in aerial combat? Such an ominous note amidst the imperial pomp, suggesting a precariousness perhaps always inherent to power itself? Curator: Precisely. Their inclusion prompts a multitude of interpretations. Perhaps alluding to in-fighting, tensions, or just the general instability of the times in which Collaert was producing the engraving. Editor: The layers here are indeed compelling—representation upon representation, meticulously crafted for maximum cultural impact and controlled reception. Thank you, the level of detail provides new information to this study that broadens its importance! Curator: Yes, by examining the materials, the social context of its production and consumption, we can unlock valuable insights.