Snuffbox by Jean Georges (or George)

metal, gold, sculpture

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metal

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gold

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sculpture

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decorative-art

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rococo

Dimensions: 1 9/16 x 3 1/2 x 1 7/8 in. (4 x 8.9 x 4.8cm)

Copyright: Public Domain

Editor: We’re looking at a beautiful golden snuffbox, made by Jean Georges between 1762 and 1763. The level of detail in such a small object is incredible. What can you tell me about the cultural context of something like this? Curator: Well, snuffboxes like this were more than just functional objects; they were potent symbols of status and power in the 18th century. Their exquisite craftsmanship and precious materials, like gold in this case, broadcasted the owner’s wealth and refinement within the rigid social hierarchies of the time. Editor: So, who exactly was showing off these status symbols? Was snuff-taking just a popular thing at the time, or a practice with other connotations? Curator: Snuff-taking itself became incredibly fashionable amongst the European aristocracy and bourgeoisie. These boxes were openly displayed, and even offered to others. This makes their designs not only an expression of the individual but also crucial for navigating social circles and political alliances. Editor: Fascinating! The decoration looks quite ornate. The repeating Greek key pattern around the edge really catches the eye, too. Do those elements connect back to my initial observations? Curator: Absolutely. The embrace of Rococo style, which favors asymmetry, grace and decorative elements like floral garlands or mythological scenes here suggests a deliberate link with classical antiquity to emphasize learning and cultivate association with noble ancestry and its related authority in society. Do you notice any elements in the design that hint to a particular ideology or a patron’s allegiance? Editor: Hmm, it’s hard to say. Perhaps it's trying to appeal to a certain refined taste. I’d never have thought that such a seemingly simple item could carry so much weight! Curator: Exactly! Seeing decorative objects as embedded within intricate networks of social relations provides an important perspective on what art, patronage, and collecting represented during the era. These snuffboxes tell stories far beyond the mere act of consuming tobacco.

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