Corner Cupboard c. 1937

Editor: Here we have George V. Vezolles’s "Corner Cupboard," created around 1937, a drawing in pencil on paper. I'm struck by how the artist rendered this everyday object with such precision. What strikes you about this drawing? Curator: The primary fascination lies in the rigorous geometric organization. Consider the interplay of horizontals and verticals defining the shelving. Note how each plane receding into space subtly alters in value, delineating depth. Observe also how the open doors mirror one another, framing the internal architecture of the cupboard. Editor: The symmetry is definitely compelling. Is the medium itself significant here, that it’s a drawing, not the actual cupboard? Curator: Precisely! Pencil allows for a control over line and shadow that perfectly serves the objective recording of form. The neutrality of the medium also prevents any extraneous emotional distraction. Editor: So the focus is on pure form, the essence of the object? Curator: Precisely. This isn't about sentiment; it's an analytical exercise exploring structure through representational means. Ask yourself, what is gained or lost by distilling such a mundane object to such a precise visual study? Editor: I see now. It pushes me to consider the cupboard not just as a thing, but as an arrangement of shapes and shadows. Curator: And therein lies the crux. We begin to perceive inherent aesthetic qualities we might otherwise overlook. Editor: Thank you. Now I understand how focusing on the formal elements helps to decode and elevate this artwork!