oil-paint, wood
portrait
self-portrait
baroque
oil-paint
figuration
wood
Dimensions 50 cm (height) x 39 cm (width) (Netto)
Daniël de Koninck painted this portrait of an old man, rendered in oil, sometime around the turn of the 18th century. The turban, adorned with a jewel and feather, immediately catches the eye. Turbans, historically symbols of status and religious identity in the East, became fashionable exotic accessories in Europe, particularly in portraiture. This appropriation speaks to a deep-seated human fascination with the "other," a way to both celebrate and perhaps subtly control the foreign. We can see this exoticism echoed through history, from Renaissance depictions of the Magi to later Orientalist paintings. The man's gaze, direct yet melancholic, draws us in. It's a look that transcends time, hinting at the cyclical nature of human experience, the recurring themes of age, wisdom, and perhaps, disillusionment. The turban, a marker of difference, becomes a mask, both concealing and revealing the universal human condition beneath.
Comments
This portrait of an old man is painted on a panel of oak made of two joined planks. The joint can be seen in the middle, where there is a light vertical line with numerous wormholes. The light area is sapwood, the youngest part of the tree just under the bark. Sapwood is rarely seen in panel paintings, since this soft wood was often cut away to prevent rotting or woodworm. The panel here is therefore not of the best quality. In the top left-hand corner there is an uneven area indicating that the plank was initially split using an axe. After the two planks were glued together, the panel was planed to make it even. This is clearly visible in the vertical traces of the plane covering most of the surface. The edges are bevelled to make framing easier, indicating that the painting is still its original size.
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