Extraction of the Essence by Cassidy Rae Marietta

Extraction of the Essence 

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drawing, paper, ink

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pattern-and-decoration

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drawing

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abstract expressionism

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figuration

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paper

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ink

Editor: This mixed-media piece is titled "Extraction of the Essence" by Cassidy Rae Marietta. It’s such a vibrant and chaotic composition, filled with figures, flowers, and patterns. What draws me in is the juxtaposition of life and death, the erotic and the macabre. What do you see in this piece? Curator: Well, instantly, I’m drawn to the layered symbolism. The floral motifs, so rich and abundant, evoke ideas of fertility, growth, and the cyclical nature of life, reminiscent of vanitas paintings from the Dutch Golden Age. And, of course, there’s the skeleton—a clear memento mori, a reminder of mortality that exists alongside the sensuality and blossoming life depicted here. Does this connection between the living and the non-living call anything to mind for you? Editor: I guess I’m thinking about how these symbols are often used to explore desire and the transience of beauty. I see them as universal themes, almost like archetypes, and how artists continue to work with them. Curator: Precisely! The use of repeated patterns covering the figures and the background also evokes the Pattern and Decoration movement of the 70s, which celebrated the decorative arts and challenged the hierarchy between fine art and craft. Marietta seems to be participating in a long conversation about value and what we deem worthy of artistic representation. I wonder what this pattern might suggest to viewers about memory and identity? Editor: It makes me wonder how visual language evolves and retains meaning across generations. The images themselves are striking, but the cultural weight they carry is equally powerful. Curator: Yes! That's how Marietta evokes an emotional response and a deep connection. I think that by acknowledging death, and perhaps even seducing it, the artwork becomes vital. Editor: It’s fascinating how one artwork can speak to so many layers of cultural memory. I definitely see the power of symbols and visual history in a completely new way now.

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