Petit Courrier des Dames, 1826, No. 357 : Robe de bal (...) by Anonymous

Petit Courrier des Dames, 1826, No. 357 : Robe de bal (...) 1826

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drawing, print

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portrait

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drawing

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print

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romanticism

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genre-painting

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dress

Dimensions height 217 mm, width 134 mm

Curator: This hand-colored print is titled "Petit Courrier des Dames, 1826, No. 357: Robe de bal...", created by an anonymous artist. It presents a fashion plate depicting a woman in a ballroom gown. What catches your eye? Editor: Those sleeves! They're like little patterned balloons attached to her shoulders. The whole ensemble feels simultaneously grand and…confined. I imagine waltzing, but only within very specific social parameters. It feels fragile somehow. Curator: Fashion plates served a critical role in disseminating Parisian style across Europe and beyond. They provided not only visual representations of clothing but also commentary on the social expectations tied to dress. Editor: Expectations! Yes. She's got a little fan, like she might need a quick escape from someone’s overbearing gaze, even while elegantly posed. And look at the other figure shown from the back - as if she’s waiting in the wings. There’s definitely a coded language here. Curator: Precisely. The Romantic period saw a heightened emphasis on emotion and individual expression, but these were always mediated through social conventions, especially for women. The dress itself—the high waistline, the delicate fabrics—reflects that tension. It suggests a certain freedom of movement while maintaining a demure silhouette. Editor: It's like a beautifully decorated cage, isn't it? A very stylish cage, mind you. But still... those perfectly placed ribbons and flowers—they all seem to reinforce the idea of a woman presented as a pleasing object, even if she is stepping out on the dance floor. Curator: The attention to detail in capturing the texture of the fabric and the intricacies of the ornamentation speaks to the print's purpose as a guide for dressmakers and their clients. These plates also promoted the fashion industry itself, suggesting that elegance was accessible through the acquisition of specific goods and styles. Editor: That’s true. So, in its own quiet, meticulous way, this fashion plate is revealing a bigger picture. The personal, perhaps suppressed. And the socio-economic machinery buzzing underneath it all. It’s both beautiful and thought-provoking in that way. Curator: Indeed. Looking closely unveils so many of the layers, which speaks to how art offers insights into social and personal realms. Editor: A snapshot of an era, rendered with delicacy and, perhaps, a hint of melancholy. Food for sartorial thought!

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