Berekeningen by Reijer Stolk

Berekeningen 1906 - 1945

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drawing, paper, ink, graphite

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drawing

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hand written

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hand-lettering

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hand drawn type

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hand lettering

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paper

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personal sketchbook

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ink

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hand-written

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hand-drawn typeface

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geometric

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abstraction

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graphite

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sketchbook drawing

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sketchbook art

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small lettering

Copyright: Rijks Museum: Open Domain

Editor: This drawing, titled "Berekeningen," is an ink and graphite work on paper that seems to have been created sometime between 1906 and 1945. It feels very intimate, almost like a page torn from a personal journal or sketchbook. What’s most striking is the use of what appears to be handwritten calculations. What do you make of this piece? Curator: The intimacy you're sensing is key. Considering the era, the early 20th century, these kinds of personal financial reckonings often reflect broader anxieties about economic stability. We see a society undergoing massive shifts with industrialization and urbanization. A simple list like this can be viewed as a subtle, individual response to overwhelming systemic forces. Editor: That's fascinating. So, you're saying something as straightforward as calculations can have this broader social meaning? It feels a bit like art democratizing documentation! Curator: Precisely! Think about how institutions during this period codified knowledge – think about libraries or emerging bureaucratic systems. This drawing subverts that public display of authority, placing it within the personal realm. And it does it in an informal way. Editor: I’d never thought about it that way before, almost as a pushback to these institutionalized practices by embracing everyday moments! Curator: Indeed. The Rijksmuseum's choice to showcase what may appear to be mundane highlights the value of exploring such "ordinary" artifacts to better understand their cultural impact, offering new context to our society, Editor: I’ll never look at old arithmetic the same way again! Thanks for opening my eyes to this perspective. Curator: My pleasure. Art helps us look anew and broaden how society views its shared experiences.

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