Stamboom van Christus 1555

Curator: This engraving, "Stamboom van Christus," or "The Family Tree of Christ," was created by Tillmann Stella in 1555. I’m struck by the intricate detail rendered in what appears to be a fairly small-scale print. Editor: The piece has an almost map-like quality, a kind of codified visual representation that seeks to order and define. The way it merges image and script almost makes it reminiscent of calligraphy. The script must also play a huge role? Curator: Absolutely. The engraving blends figuration with an extensive amount of calligraphy, creating an organized visual genealogy of Christ. The various texts play specific roles such as identifying key figures, citing biblical verses, and expounding on the genealogy’s meaning, functioning as a legitimizing tool during the Reformation era. Editor: So it's an attempt to visually assert and defend a particular lineage and doctrine. I can imagine the craftsmanship involved – the meticulous labor and precision necessary to produce such detailed lines and text on the plate. What does the print medium say? Curator: Yes, consider how print culture facilitated the dissemination of religious and political ideologies. This artwork becomes part of a larger system of production and exchange. The use of engraving meant the image could be reproduced widely. So, the materials and production processes of the print, along with the calligraphy and composition contribute to its purpose. Editor: Seeing how the genealogy forms this organized system rooted in family ties suggests power structures encoded into a seemingly innocuous presentation of heritage. The lines create order. But do they liberate too? What are your impressions? Curator: It seems so, and beyond the hierarchical arrangement that works down the page and through the image is the overwhelming feeling of intent—of design meeting devotional and didactic purpose. What strikes me is the blend of artistry, religion, and meticulous record-keeping all presented within the confines of a print. Editor: Indeed. It’s fascinating how analyzing the visual elements brings a wealth of contextual understanding. It allows us to look past the artwork itself.