Mannen laden graanschoven in een boot by Jacob Folkema

Mannen laden graanschoven in een boot 1610 - 1703

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print, etching

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dutch-golden-age

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print

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etching

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landscape

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figuration

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genre-painting

Dimensions: height 104 mm, width 136 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is "Mannen laden graanschoven in een boot," or "Men loading sheaves of grain into a boat," by Jacob Folkema, created sometime between 1610 and 1703. It's an etching. I find it fascinating how much detail he gets into such a small print, especially focusing on what seems like a common, everyday activity. What draws your eye in this piece? Curator: Immediately, I’m thinking about the labour depicted. Consider the grain itself: how was it grown, harvested, processed? This image presents a single step in what must have been an arduous, continuous cycle of production. Who owns the land, the boat, and ultimately, the grain? Editor: That's interesting, I was just looking at the nice landscape. It hadn't occurred to me to think about the economic structure behind it. Curator: Exactly! Look at the variety of activities clustered together: figures loading the boat, others seemingly fishing, someone seated above overlooking the scene... These visual layers reflect layers of labor, ownership and perhaps even leisure. How does the artist's technique of etching, a relatively accessible printmaking method, contribute to the democratization of such scenes? Editor: So, by using a print, this scene could be widely distributed and consumed, furthering this idea of democratisation. That is an interesting idea... But could it also be romanticising labour, as a pleasant, busy image of the period? Curator: It's a possibility. We have to acknowledge that this print may simplify or idealize the realities of agricultural labour. How are the figures depicted? Do we see individuality, or are they archetypes representing a rural workforce? Are there signifiers of their societal class? This image gives us an important, if not nuanced, look at labour. Editor: I now see the artwork with a very different lens, thinking about how that grain production connects to the people who are working hard within this image. Curator: Precisely! We are encouraged to view art as a product of human input; through understanding materials and labour we better understand society at that point in history.

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