Tweehonderdvijftigjarig bestaan van de Universiteit van Utrecht 1886 1886

Curator: Here we have Willem Schammer’s metal print commemorating the 250th anniversary of the University of Utrecht, created in 1886. Editor: It feels quite formal, doesn't it? Solid and rather weighty, like something presented at an official ceremony. I'm immediately drawn to the tactile quality – I wonder about the labor involved in its production and circulation at the time. Curator: The imagery certainly reflects that sense of formality. The central figure appears to be an allegorical representation of Justice, standing between heraldic shields, framed within rays of light—perhaps symbolizing the enlightening role of the university itself. Note the Latin inscription at the top. Editor: Right. “Iustitia,” the personification of justice. So, thinking about the materiality, bronze or a similar metal would've been chosen deliberately, suggesting permanence and value, like an official seal. Was this a large-scale production, or a limited commemorative run? Curator: It was likely produced in some quantity for distribution amongst dignitaries, alumni, and other associated figures with the university. These kinds of commemorative medals serve to codify and materialize significant events. Editor: And what kind of socio-political statement does it make? The emphasis on the institution's long history reinforces a sense of enduring authority. Who, exactly, was this aimed at convincing, and what narratives was it meant to cement? Curator: It's certainly a statement of institutional pride, looking backward in history to legitimate present-day authority and, one hopes, looking forward to continuing prosperity. Symbols play a significant role in establishing the legacy and ideals of an institution like a University. Justice, truth, enlightenment... Editor: And the choice of materials, that industrial-age bronze – speaks to the relationship between academic power and economic structures. Something to ponder, even as we move to the next work. Curator: Yes, it serves as a reminder that objects, like memories, are materially grounded and layered with symbolism.