Albert-Ernest Carrie-Belleuse 1882

This is a terracotta bust of Albert-Ernest Carrier-Belleuse, made by Auguste Rodin in France sometime in the late 19th century. Rodin's teacher Carrier-Belleuse was already a successful and established artist when Rodin joined his workshop. We can see Rodin’s ambition in this bust. It's not just a portrait; it's a statement about artistic lineage and influence. The bust embodies the academic tradition while also hinting at Rodin's departure from it. The detailed rendering of the face and clothing reflects the standards of the French academy, yet Rodin's expressive handling of the clay hints at the more radical, emotionally charged work he would later become known for. To fully understand this piece, it's essential to consider the dynamics of the 19th-century art world: the relationships between masters and apprentices, the pressures of the academy, and the changing tastes of the public. By examining exhibition records, artists' correspondence, and critical reviews, we can gain insight into the rich social and institutional context that shaped Rodin's artistic development.