Heilige Macarius van Egypte als kluizenaar 1590 - 1619

Editor: So, here we have an engraving dating back to the early 17th century, sometime between 1590 and 1619, by Boëtius Adamsz. Bolswert. It depicts Saint Macarius of Egypt as a hermit. There’s this contemplative stillness, this very old engraving style… it’s quite moving actually. What do you make of it? Curator: Moving indeed. You know, the solitude practically screams from the etching, doesn't it? See how Bolswert places him, almost swallowed by the cavern? It's not just a depiction of Macarius; it's a visual metaphor for spiritual introspection. And that eerie, almost otherworldly light source? Gives the scene a strangely modern, almost science fiction feel! Do you see it too? Editor: A little bit! It looks like a…flying saucer? So, do you think Bolswert was trying to depict Saint Macarius' connection to God in a literal, tangible way? Or is it just a baroque representation of divine light? Curator: Well, literal might be pushing it. Remember the Baroque loved drama and the theatrical. Bolswert is using light – literally manipulating the medium to create light – to evoke that profound, almost overwhelming sense of divine presence. The cross at the Saint's knees contrasts against his prayer beads in hand…almost highlighting a choice. Perhaps? Editor: Hmm, the play between light and shadow definitely adds to the drama, and creates depth. I hadn’t noticed the cross so much! So, it's not just about the solitary figure, but also about this very personal connection to faith. Curator: Exactly. It's a piece that invites us to consider what it means to seek spiritual enlightenment, and the surprising places—and perhaps surprising ways—that it can be found. Editor: I appreciate the connection you’ve highlighted between Saint Macarius' solitude and personal devotion, as well as the science-fiction lighting! Thanks for sharing your insights.