Joseph before Pharaoh c. 16th century

Editor: Here we see Pietro Santi Bartoli’s "Joseph before Pharaoh," an engraving of uncertain date, housed at the Harvard Art Museums. The contrast between light and shadow gives it such a dramatic flair. What can you tell me about the historical context of its imagery? Curator: Well, engravings like this served a crucial role in disseminating imagery and narratives, particularly religious ones, across Europe. Bartoli’s choice to depict this Old Testament scene speaks to the church’s influence on artistic production. Who was the intended audience and how might it impact their interpretation of the scene? Editor: Perhaps the church sought to use art as a tool for communicating biblical stories in a visual form? Curator: Precisely. And consider the power dynamics on display, the performative kneeling of Joseph. Such works were tools to reinforce hierarchical structures within society. Editor: This gives me a lot to think about, particularly regarding how art shapes public perception. Curator: Indeed. By understanding these historical forces, we can better appreciate the politics embedded within even seemingly simple images.