Window c. 1900

Harvey Ellis created this leaded glass artwork, "Window," now at the Art Institute of Chicago. Immediately striking is the composition, where the eye is drawn across a landscape punctuated by figures in armor, their forms simplified into geometric shapes. Ellis uses the inherent qualities of stained glass—its color and light—to create a scene that’s both representational and abstract. The lead lines aren't just structural; they delineate form, contributing to the overall design. Look closely, and you'll see how the light filters through, altering the colors and textures, and adding depth. The rigid lines suggest order, yet the vibrant colors disrupt this, creating a dynamic tension. This piece isn't just a window; it is a study in form, light, and color. It prompts questions about the relationship between representation and abstraction, inviting us to see beyond the literal and engage with the artwork's underlying structure.