Twee sfinxen flankeren een kandelaber 1516 - 1556

This print, made by an anonymous artist, presents a design for a candelabra, likely dating back several centuries. It’s made using an intaglio process, meaning the image was incised into a metal plate, inked, and then pressed onto paper, leaving a raised impression. Look closely, and you’ll see the design teems with hybrid creatures – sphinxes, satyrs, and winged figures, all rendered in precise detail. The emphasis is on symmetry and ornamentation, reflecting the artistic tastes of the Renaissance, with its rediscovery of classical forms. The image speaks volumes about the labor involved in creating prints. Intaglio demanded immense skill and patience from the engraver, and a precise hand. Each line, each shadow, meticulously carved to bring the design to life. Prints like this served as pattern books for artisans – goldsmiths, furniture makers, and other craftsmen – helping to circulate design ideas widely. Ultimately, the design's success depended on the engraver’s technical expertise, as well as the collaborative ecosystem of workshops and studios. Understanding this intricate web of material, process, and social context is crucial to appreciating the print’s enduring appeal.