Adoration of the Shepherds c. 16th century

Curator: Let’s talk about Frans Crabbe van Espleghem’s "Adoration of the Shepherds." There's an undeniable tension between the sacred and the secular here. What do you see? Editor: It's an early print, seemingly from the 16th century, with lots of architectural details. I’m struck by how Crabbe includes everyday figures within this holy scene. How does that affect its meaning? Curator: Exactly! The intrusion of the everyday challenges the idealized notions of religious art. Notice how the shepherd on the left is practically leering at the scene. This suggests a critique of power structures. Editor: A critique? How so? Curator: Think about the social hierarchies of the time. By including such figures, Crabbe forces us to consider who is included and excluded from religious narratives. It’s about challenging the status quo. Editor: That's a perspective I hadn't considered. It makes me rethink the role of religious art in society. Curator: Precisely. And that's how art can be a tool for social commentary. Editor: Thanks! I appreciate your perspective.