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Editor: This is John Henry Brown's portrait of Wilberforce. The lithograph depicts the abolitionist in repose. I am struck by the power dynamics inherent in portraiture. What can you tell me about its historical context? Curator: Absolutely. This portrait, likely made posthumously, freezes Wilberforce at the height of his influence, but we must remember that abolition was a complex, multifaceted struggle. How might this image flatten the nuances of abolitionist movements, potentially centering a white, male figure? Editor: That's a great point. I hadn't considered the implications of focusing solely on one individual in such a broad movement. Curator: Exactly. It prompts us to ask: whose stories are amplified and whose are silenced in visual representations of historical events? Considering that allows for deeper inquiry. Editor: This makes me think about the narratives that are prioritised and omitted. Thank you!
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