Athaliah destroying the Royal progeny 1565 - 1568

Editor: Here we have Harmen Jansz. Muller’s engraving, "Athaliah destroying the Royal progeny," dating from around 1565 to 1568. It's a rather disturbing depiction of infanticide... I’m immediately struck by the chaotic composition and the stark contrast between the regal figure and the violence unfolding below. What historical narratives do you see embedded within this work? Curator: It's vital to understand this image within the context of religious and political power struggles of the 16th century. The scene depicts a biblical event, but Muller’s choice to render it in a Mannerist style – all that exaggerated musculature and dramatic posing – adds a layer of commentary. It begs us to question: who is afforded power? And at whose expense? Editor: It feels very staged, theatrical, and brutal at the same time. What does this theatricality tell us about the artist’s intentions? Curator: Exactly. Consider the role of printmaking at the time. These images were disseminated widely, influencing public perception of religious narratives and even political figures. How might this image have fueled anti-establishment sentiments or reinforced anxieties about female rule and unchecked authority? It prompts us to look beyond the surface and delve into the work's potential impact. Editor: So, it’s less about the literal story and more about the visual propaganda and how it might impact the sociopolitical dynamics of the time. Curator: Precisely. We see how art functions not merely as illustration, but as a site of power, propaganda, and the articulation of ideological stances, and how even the choice of style influences it. What has resonated most with you? Editor: Definitely considering how the visual style of an artwork like this would impact people, rather than just telling the story of what it shows.