Fotoreproductie van een prent van een portret van Victor Emanuel II van Italië by Anonymous

Fotoreproductie van een prent van een portret van Victor Emanuel II van Italië before 1885

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aged paper

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homemade paper

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paper non-digital material

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paperlike

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personal journal design

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paper texture

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folded paper

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publication mockup

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thin font

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publication design

Dimensions height 155 mm, width 115 mm

Editor: Here we have a photo reproduction of a print, depicting a portrait of Victor Emanuel II of Italy, sometime before 1885. It's presented like an open book. I find the subdued tones and formal pose convey a sense of old-world authority. What do you see in this piece? Curator: Beyond a simple portrait, this image is layered with symbolic weight. The King’s attire, for example, speaks volumes. What does the military garb evoke for you, placed within the context of Italian unification? Editor: It suggests power, strength, maybe the military achievements that led to a unified Italy? Curator: Precisely! The symbols embedded in his uniform, medals, and even his facial hair became part of the visual language constructing Italian national identity. And consider the open-book presentation; how does that contribute to the overall message? Editor: Hmm… it’s like presenting the king’s image as a historical document or an open narrative, something for the public to consume and learn from. Curator: Exactly! It places him within a specific, carefully crafted historical context. Note how this "photoreproductie" utilizes the then new medium, photography, to spread nationalistic ideals. Photography was quite groundbreaking and disseminated imagery very quickly to the population. So, what lasting impact might such a carefully constructed image have had? Editor: I hadn't thought about it that way, but now I see how this image operates on many levels to create a narrative around national identity, a very tangible interpretation of history! Curator: Indeed. By examining these symbols, we gain insights into how national identity was constructed and perpetuated through visual culture. Editor: I’ll definitely look at portraits with new eyes after this!

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