Verloren zoon als varkenshoeder 1608

Claes Jansz. Visscher made this print, Verloren zoon als varkenshoeder, which translates to the prodigal son as a swineherd, in the Netherlands, sometime in the early to mid-17th century using an engraving technique. The act of engraving is one that is often overlooked, yet it is a complex method of image production. Visscher would have used a tool called a burin to manually carve lines into a metal plate, likely copper. The depth and proximity of these lines determine the darkness of the printed image; the more lines, the darker the area appears. This process is highly skilled, demanding precision and control. The final print on paper allows for the mass production and dissemination of images, reaching a broader audience than a unique painting ever could. It democratizes art, making it accessible to those outside the wealthy elite, while reminding us of the labor and skill involved in its creation. The use of text further enhances the print's didactic function, making it a powerful medium for conveying religious stories. It also reveals the intersection of artistic skill, labor, and commerce.