Gelosia 1927

"Gelosia" (1927) is a photomontage by Hungarian artist László Moholy-Nagy, a leading figure in the Bauhaus movement. The work features fragmented figures and geometric shapes, creating a sense of spatial ambiguity and fractured identity. The juxtaposition of realistic and abstract elements reflects the experimental nature of photomontage, a technique popular in the 1920s. The use of negative space and strong geometric lines contributes to the overall feeling of dynamism and abstraction characteristic of Moholy-Nagy's style.