Apostel Matteüs 1616 - 1636

Curator: Here at the Rijksmuseum, we're looking at Nicolaes Ryckmans’ engraving, “Apostel Matteüs,” dating from 1616 to 1636. It’s a baroque portrait of the Apostle Matthew. Editor: Wow, he looks like he knows something I don't, and he's definitely enjoying that little secret. It’s a quirky kind of sacredness that I love. I am captivated by this old man with a halo! He almost looks like he's suppressing a laugh. Curator: The figure's humanity is precisely where much of the art of the Counter-Reformation found its power. Matthew’s individualized features underscore that these figures were, according to theological traditions, real people with struggles. The image participates in a visual rhetoric designed to assert religious truths. Editor: I dig how the lines give his skin texture and the weight of the cloak he’s wearing. It gives everything a grounded feel, which is very grounding. Curator: This engraving likely circulated among a wide audience, serving as both devotional image and an affirmation of reformed belief. Reproductions such as this played a crucial role in disseminating ideas and shaping religious identities in early modern Europe. Editor: I get the feeling he’s about to offer me some profound advice, or maybe a riddle. Is it just me, or is there a sly, almost mischievous quality? It's as if Ryckmans managed to capture not just a saint, but a personality. It’s compelling because it lets me wonder if saints are only humans who learned how to be good, but never forgot to live in the everyday. Curator: Well, this has been a fascinating discussion. The engraving offers us insight into how religious figures were presented and understood. Editor: Indeed. I see in this image an invitation to ponder the humanity within holiness, which makes faith relatable. A lovely and thoughtful piece that’s certainly inspired a few musings.