Life is Like a Sundial 1878

Editor: This is Laslett John Pott’s “Life is Like a Sundial” from 1878, rendered in oil paint. The painting shows a family gathered around a sundial in a garden setting, and the whole scene gives off a sentimental, idyllic feeling. What societal values might have influenced such a scene? Curator: This piece speaks volumes about the Victorian era's emphasis on domesticity, leisure, and moral lessons, often conveyed through sentimental imagery. The inclusion of a sundial invites reflection on time and mortality, common themes in Victorian art, hinting at fleeting beauty and the importance of living a virtuous life, didactically offering life advice, much like many of the works that appeared at the Royal Academy. Editor: So, its value comes from reflecting social norms and values? Curator: Exactly! Paintings like this were deeply intertwined with the social and cultural landscape of the time. Consider the peacock, for instance; it signifies beauty, pride, but also ephemerality and was an icon within aestheticism. Think of how the art market operated; success was heavily reliant on appealing to middle-class sensibilities and often depicting scenes of moral virtue. Editor: I hadn't thought about the art market's influence so directly! Curator: Museums and galleries of the era heavily shaped what art was consumed and valued. Paintings which evoked strong narratives or reaffirmed societal values found ready audiences and critical acclaim. Consider also the painting's title – how does that reinforce its intended reception by the Victorian public? Editor: It points you directly to interpret this as a symbol of life. Interesting. I now understand the piece far beyond its aesthetic appeal. Curator: Indeed, viewing art through a historical lens allows us to understand it as part of broader cultural conversations. Editor: I see now how this work operates as both a personal reflection and a statement on public morals. Thanks for that deeper understanding.